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Emmett Till James Baldwin Marcus Garvey Frederick Douglas Fanny Lou Hammer
 

Gangsta Chronicles News Agency

We Want The East Coast

by

 Honorable G

U.N.I.A.

UNITED NATIONS INDIGENOUS TO AFRICA

  • WE WANT OUR OWN COUNTRY

  • WE WANT OUR OWN AIR SPACE

  • WE WANT OUR OWN DOLLAR (IMPLEMENT THE NEGRO AS OUR NEW CURRENCY)

  • WE WANT OUR OWN SHORES

  • WE WANT OUR OWN MILITARY

  • WE WANT OUR OWN GOVERNMENT

  • WE WANT TO EDUCATE OUR PEOPLE

  • WE WANT OUR OWN AFRICAN STOCK EXCHANGE


 

MARCUS GARVEY

The Man and the Movement   Poetry and Oral Tradition   Liberty University
         
The Era   Dialogues   School of African Philosophy
         
Life and Lessons   Religious Influences   The Lessons and the Gospel of Success
         
The Doctrine of Success   African Fundamentalism   Ethiopianism
         
Self-Made Man   Classical Influences and the Ideal State   African Zionism
         
New Thought   Plato's Laws   Jewish Patronage
         
Boosterism   The Ideal State and the UNIA   Racial Success
         
Victorian Sensibility   Political Corruption   Anti-Semitism
         
Vanity Fair   Racial Education   Dissemination of the Lessons
         
The Place Next to Hell   Booker T. Washington University   The Legacy
 
 
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Marcus Garvey

Self-Made Man

Garvey himself was frequently cited in the pages of the Negro World as a prime example of a self-made man, one of those "who worked their way to the top of the ladder by the long, steady climb." Garvey's interest in conduct-of-life literature and the persistent echoes of it heard in his speeches and writings reflect the impact that such classic success treatises as Booker T. Washington's Up from Slavery and Andrew Carnegie's Gospel of Wealth made upon him. These works were in turn part of an older genre dating back to Emersonian treatises on self-reliance, slave narratives of personal endurance and triumph such as Frederick Douglass's My Bondage and My Freedom, and Benjamin Franklin's colonial guide to practical behavior and economic success. Garvey's racial ideal was built upon the concept of success, and he saw himself as a black version of the Horatio Alger myth.

 

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