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Gangsta Chronicles News Agency

We Want The East Coast

by

 Honorable G

U.N.I.A.

UNITED NATIONS INDIGENOUS TO AFRICA

  • WE WANT OUR OWN COUNTRY

  • WE WANT OUR OWN AIR SPACE

  • WE WANT OUR OWN DOLLAR (IMPLEMENT THE NEGRO AS OUR NEW CURRENCY)

  • WE WANT OUR OWN SHORES

  • WE WANT OUR OWN MILITARY

  • WE WANT OUR OWN GOVERNMENT

  • WE WANT TO EDUCATE OUR PEOPLE

  • WE WANT OUR OWN AFRICAN STOCK EXCHANGE


 

MARCUS GARVEY

The Man and the Movement   Poetry and Oral Tradition   Liberty University
         
The Era   Dialogues   School of African Philosophy
         
Life and Lessons   Religious Influences   The Lessons and the Gospel of Success
         
The Doctrine of Success   African Fundamentalism   Ethiopianism
         
Self-Made Man   Classical Influences and the Ideal State   African Zionism
         
New Thought   Plato's Laws   Jewish Patronage
         
Boosterism   The Ideal State and the UNIA   Racial Success
         
Victorian Sensibility   Political Corruption   Anti-Semitism
         
Vanity Fair   Racial Education   Dissemination of the Lessons
         
The Place Next to Hell   Booker T. Washington University   The Legacy
 
 
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Marcus Garvey

The Place Next to Hell

Bunyan's work was popular in the nineteenth century as a moral guide for children, and Garvey would undoubtedly have been familiar with it since his youth. Bunyan's 1678 classic was laden with social and political criticism, as was Garvey's own epic poem of the 1920s. Bunyan wrote Pilgrim's Progress while imprisoned for religious dissent in the county jail at Bedford, England, and gave it an autobiographical premise by having the dreamer who narrates the story sleeping in "the gaol." A vocal Nonconformist who opposed the teachings of the Church of England, he was arrested while preaching and served two six-year sentences, from 1660 to 1672, and another six-month sentence, in 1676 and 1677. Garvey wrote The Tragedy of White Injustice while imprisoned in Atlanta, where he was incarcerated in large measure for his militant racial stand, which diverged sharply from prevailing norms. In writing the poem, he translated, as Bunyan did, his excellent oratorical skills into written form and created a text intended to convert a popular audience to a new philosophy and new conduct.

Garvey's references to Bunyan's classic continued after his release from prison and his deportation to Jamaica in 1927. While campaigning for a seat in Jamaica's colonial legislature in October 1929, he was convicted of contempt of court for criticizing the judicial system on the island. He declared that many judges were influenced by bribes and suggested that some be impeached and imprisoned. The Jamaican Supreme Court did not look kindly upon such contumacy and sentenced him, as a result, to three months' imprisonment in the Spanish Town prison. The episode---a major setback in Garvey's efforts to establish a political career---contributed to his subsequent decision to make a permanent move to England in the mid-1930s. Garvey referred to Jamaica in this period as "the place next to hell."  In a New Jamaican editorial he created a Bunyanesque dialogue between two Jamaicans who referred to the country as a "Land of Agony and Tears," which was "small, small in size and small in character," and where people who spoke their minds would be imprisoned. In Bunyan's work, the City of Destruction, where Christian was born, is described as "a populous place, but possessed with a very ill conditioned, and idle sort of People." Just as Bunyan's Christian leaves the City of Destruction to its brimstone, so Garvey's two imaginary Jamaicans recommend that the only way to remedy the evils they had witnessed was "by leaving the place and make it perish by itself."

Garvey echoed these themes in a May 1934 speech in which he denounced the hypocrisy of the country and announced his intention to publish a book about his journey through life, called, significantly, The Town Next to Hell. He told his audience that he had experienced a vision of "a night in hell" in a dream and that what he had seen was an authentic reflection of life under colonial rule in the Depression.

Garvey's promise to write an allegory on the subject of Jamaica was to some extent fulfilled; in July 1934 a poem written by him and entitled "A Night in Hell," was performed at a musical and poetic program at the Ward Theater in Kingston. Unfortunately, however, the text of the poem has not been preserved.

 

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